You could call it complexities and uncertainties, with openings
2018
Screen Grease series
2017-2019
A side-step, a reflective glance
2018
Getting pulled in while being thrown out, old traps disperse through new forms
2018/2017
I get tangled in things, things get tangled in me
2018
Screen Grease III, 2017 & UI (User Interface)
2017
You could call it complexities and uncertainties, with openings
2017
Paths, conduits, tentacles, digits, connections, grasping, reaching, pointing,
2017
2016
2015
You could call it complexities and uncertainties, with openings, 2018
Analog LX, Lisboa, Portugal
02.03.2018 - 11.03.2018
The installation “You could call it complexities and uncertainties, with openings” (2018) shown at Analog LX, Lisbon, emphasized the material and object collaborations of intra-active digital images. Featuring large digital prints on silk of underwater analog photography, the images intertwine the optical refraction and movement of water, the action of the camera, printer, and the scanner, the weave of the silk, and the bodies both myself and distant silk worms. When digitally scanning the negatives at very high resolution, the jagged edge of the film panel and the dust on the scanner were revealed. These details, usually excluded by photographers as problematic blemishes, became a motif for the agency of uncertain objects. I subsequently extrapolated the enlarged forms of the dust into sculptures that seem to be stretching, wriggling, and seeking. As a symbol for everything and nothing at the same time - the earth, mortality, and waste matter - dust unravels in many directions. What is it? Where is it from? Is it human?
You could call it complexities and uncertainties, with openings, 2018
Analog LX,
Praça do Príncipe Real 19, Lisboa, Portugal
02.03.2018 - 11.03.2018
Analog LX is a new, non-site-specific project operating in Lisbon, Portugal founded by the artist Christopher Dickson.